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Tuesday, December 28, 2010

The Irish in Hollywood | The Irish Film & Television Network

From IFTN
 
Irish filmmakers and pioneers have been at the forefront of Hollywood very literally since its inception. A new feature documentary, 'The Irish in Hollywood' will broadcast on Christmas day at 9:00pm on TV3 which will allow audiences the opportunity to examine the long legacy of Irish actors, producers and directors in Ireland. IFTN spoke with the doc's director Paul Howard about the documentary.

The fruit of over two years of extensive research and archive work, 'The Irish In Hollywood' is a historical documentary spanning more than 100 years of Irish talent in Hollywood's film history. Directed and produced by Paul Howard of Imagine Films, the feature traces the roots of Irish talent in Hollywood down through the ages and examines the historical and cultural impact that these men and women have had in tinsletown.

The documentary, narrated by Patrick Bergin, is based on the book 'Emeralds in Tinseltown', co-authored by the late Steve Brennan, veteran reporter and key editor for The Hollywood Reporter, and Bernadette O'Neill, and follows the story of the early pioneers such as Rex Ingram through to John Ford right up to key Irish personalities in contemporary cinema. Producer and director, Paul Howard is quick to praise Steve Brennan who passed away in the middle of 2009. "I got to know Steve very well, making this documentary," he says. I'm really sorry he didn't get to see it completed because he really would have loved it."

Paul explains that the 'The Irish in Hollywood' documentary came about as a result of several events: "Myself and a colleague of mine, writer Donal O' Neill, were working up a project tentatively titled 'Green Light' on the Irish in Hollywood,"he explains. "I was not even aware that the book, 'Emeralds in Tinseltown' was being written at the time. As it happened then, I was discussing our project with Morgan O' Sullivan who told me about a book being written on the same subject. After that I contacted Steve."

The feature examines the impact the Irish have had on the American movie industry through archival material and rare footage of the Irish luminaries such as Pat O'Brien, James Cagney, John Ford, Maureen O'Hara, and Barry Fitzgerald. The project also features engaging and insightful interviews with current industry leaders such as Gabriel Byrne, Fionnula Flanagan, Jim Sheridan, Anjelica Huston, John Boorman, Brendan Gleeson, Pierce Brosnan, Noel Pearson, John Moore, Saoirse Ronan and many others – something which proved very challenging, as Paul tells us: " All our interviewees agreed that they would all be very interested in taking part. But of course it was a question of timing. One of the major difficulties with this project was that, because all our interviewees are working in different parts of the world and because they are all doing so well, the huge logistical problem was getting them to commit to a particular time, and that was very, very difficult."

Paul was very much struck by the depth of knowledge many of his interviewees had as to the Irish heritage in Hollywood. One, in particular, surprised the filmmaker immensely: " One of the things about Gabriel – and it was one of the most amazing interviews that I have ever done – was that we sat down to interview him about his life and career in Hollywood, but he went way beyond that," he tells us. " Gabriel was very knowledgeable - knowledgeable to such a degree that he could form very credible opinions on our topics."

The documentary received support from the BAI's Sound and Vision fund and the Irish Film and Television Academy and will introduce audiences to several Irish characters such as an Irish immigrant employee of MGM Studios who designed the Oscar statuette, the Irishman who dreamed up the Hollywood sign, the Irish pioneer filmmakers who invented the Westerns and, of course, the Irish characters who were no strangers to scandal!

Having examined every Hollywood era possible Paul finds it impossible to select the Irish person who has left (or is in the process of leaving) the biggest mark on Hollywood. After much debate he settles on nine. "If you look at the different periods, I would say Rex Ingram to begin with,"he starts. "He was an artist and sculptor himself and he embraced the whole idea of movie making, and this new language which was so new at the time. Then you move onto John Ford who becomes the great master of film-making in that particular period, even though he mythologised both the American West and his view of Ireland through this exiled longing that he had. Following him you have Jim Sheridan and Neil Jordan who present a very, very different picture of Ireland, which breaks the stereotype created by John Ford and presents a very real picture through movies like 'In The Name of the Father', 'The Boxer', 'The Butcher Boy', 'Michael Collins' and so on."The remaining five include John Boorman ("Who I know was fundamentally English – but in many ways he took refuge in Ireland and made a home in Ireland") along with actors Gabriel Byrne, Liam Neeson, CiarĂ¡n Hynes and Pierce Brosnan.

That Paul can get no fewer than nine groundbreaking Irish filmmakers is very telling. Ireland has more than punched above its weight in Hollywood and has enjoyed a disproportionately large influence in the movie making industry. Paul thinks he can explain who: "We came from a long tradition of storytellinghe says. And, if you go back to the very early days in Hollywood, or even pre-Hollywood when you had a lot of Irish flooding into cities like New York and Boston and Philadelphia and so on, a lot of these were kind of maverick characters, and they were involved in theatre and vaudeville and so on. So when the movies came about they naturally gravitated with their storytelling tradition into the movies. And were immensely successful because story telling is in their blood."

On a final point I ask Paul what the ultimate message of 'The Irish in Hollywood' is. "Ultimately this is really about two countries who embraced one another and who embraced this new language," he replies thoughtfully. "This new poetry of the movie has, in the context of the modern age, become the defining art of our time. That's what this project is all about."

'The Irish in Hollywood' will air on Christmas Day at 9.00pm on TV3.


 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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2010 Films that Got People Talking


 

'The Ghost Writer' (February 19) - Roman Polanski's film starring Pierce Brosnan and Ewan McGregor was released in the middle of his legal battle to prevent his extradition to the U.S. to face sentencing from a 33-year-old sexual assault case against a minor (which prompted him to flee the country in the first place). The film garnered loads of critical acclaim, renewing the age-old debate of supporting or boycotting an artist based on their personal conduct.

 

From ET Online

http://www.etonline.com/movies/104288_Pop_Culture_Movie_Moments_of_2010/

"There's a nuance here that escapes me."
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Remington Steele, "Steeled with a Kiss" (final episode)


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Sunday, December 5, 2010

Ghost Writer Tops Film Awards

 

Roman Polanski's 'Ghost Writer' Tops European Film Awards

By Steve Pond
Published: December 04, 2010 @ 12:40 pm
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Roman Polanski's "The Ghost Writer" was the big winner at Saturday's European Film Awards, where it won awards for Best European Film, Best European Director and Best European Actor (Ewan McGregor), as well as receiving honors for its screenplay, music and production design.

Pierce Brosnan and Ewan McGregorPolanski's political thriller is considered a longshot in the Oscar race, but its six wins at the ceremony in Tallinn, Estonia far outpaced "Lebanon," which won two awards. No other film won more than one.

The show was hosted by German comedian Anke Engelke and Estonian actor Mart Avandi.

The winners:

European Film: "The Ghost Writer"
European Film Academy Animated Feature Film: "The Illusionist"
European Film Academy Documentary – Prix Arte: "Nostalgia De La Luz" ("Nostalgia for the Light")
European Director: Roman Polanski, "The Ghost Writer"
European Actor: Ewan McGregor, "The Ghost Writer"
European Actress: Sylvie Testud, "Lourdes"
European Screenwriter: Robert Harris and Roman Polanski, "The Ghost Writer"
European Editor: Luc Barnier and Marioin Monnier, "Carlos"
European Composer: Alexandre Desplat, "The Ghost Writer"
Carlo Di Palma European Cinematographer Award: Giora Bejach, "Lebanon"
European Production Designer: Albrecht Konrad, "The Ghost Writer"
European Discovery – Prix Fipresci: "Lebanon"
The People's Choice Award for Best European Film: "Mr. Nobody"
European Achievement in World Cinema: Gabriel Yared
European Film Academy Short Film: "Hanoi – Warszawa" ("Hanoi – Warsaw")
European Co-Production Award – Prix Eurimages: Zeynep Ozbatur Atakan
European Film Academy Lifetime Achievement Award: Bruno Ganz


 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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Six wins and counting

http://blogs.indiewire.com/thompsononhollywood/2010/12/04/polanskis_ghost_writer_scores_six_at_european_film_awards/

Polanski's Ghost Writer Scores Six at European Film Awards

Thompson on Hollywood
 

The European Film Awards are not predictive of Oscars. But six wins for The Ghost Writer moves the film to the top of the screener pile. Maybe some folks will watch it now. One of my favorite films of last year, it shares with Shutter Island and The Town a formal elegance and control. These films are well-made across the board. But they are also genre films, accessible and fun—as opposed to high art. That is the question. This is no The Pianist. Summit is pushing the movie for awards consideration.


 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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Saturday, December 4, 2010

His Own, Personal Supporting Actor Nominations

 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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"Wacky" Best Actor Nominations

Of the ten nominees for best picture (drama), seven hail from specialty distributors - "127 Hours," "Animal Kingdom," "Blue Valentine," "Get Low," "The Ghost Writer," "The King's Speech" and "Winter's Bone," while "Cyrus," "The Kids Are All Right," "Made in Dagenham" and "Please Give" all got best picture (comedy or musical) nominations, alongside the oddly well-represented "The Other Guys." Other welcome decisions included acting nominations for "I Am Love"'s Tilda Swinton, "The Ghost Writer"'s Pierce Brosnan, "Please Give"'s Catherine Keener and "Animal Kingdom"'s Jacki Weaver.

 

From Indie Wire

http://www.indiewire.com/article/inception_leads_wacky_satellite_award_nominations/


 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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Piece Pix: Salvation Boulevard


 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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Brosnan Headlines Sundance

 
Pacino, Holmes, Brosnan head to Sundance film fest

LOS ANGELES (AP) — They may be low-budget independent films, but the premieres at next month's Sundance Film Festival are loaded with stars, including Al Pacino, Katie Holmes, Pierce Brosnan, Jennifer Connelly, Kevin Spacey and Tobey Maguire.

Pacino, Holmes and Channing Tatum star in "The Son of No One," director Dito Montiel's post-9/11 New York drama that will be the closing-night film of Robert Redford's festival, which runs Jan. 20-30 in Park City, Utah.

The festival will mark the return of director Kevin Smith, whose career took off after his micro-budgeted debut film "Clerks" sold after playing Sundance in 1994. Smith will be looking for distribution for his latest Sundance premiere, "Red State," a horror tale set among Middle America fundamentalists that features John Goodman and Melissa Leo.

Among other premieres announced Thursday: George Ratliff's evangelical tale "Salvation Boulevard," with Brosnan and Connelly; JC Chandor's economic-crisis drama "Margin Call," starring Spacey; David Mackenzie's love story "Perfect Sense," with Ewan McGregor and Eva Green; Tom McCarthy's wrestling comedy "Win Win," with Paul Giamatti and Amy Ryan; Miguel Arteta's business-conference comedy "Cedar Rapids," with Ed Helms, John C. Reilly and Sigourney Weaver; and Jacob Aaron Estes' domestic romp "The Details," featuring Maguire and Elizabeth Banks.

Banks co-stars in a second Sundance premiere, Jesse Peretz's "My Idiot Brother," which also features Paul Rudd, Zooey Deschanel and Emily Mortimer in the tale of an ex-con pot peddler who moves in with his three sisters one after the other while trying to get his life in order.

"Salvation Boulevard" co-star Greg Kinnear stars in a second Sundance premiere, Jill Sprecher's "The Convincer," about an insurance salesman caught in a scheme involving a rare musical instrument. "The Convincer" also features Alan Arkin, who co-starred with Kinnear in the 2006 Sundance premiere "Little Miss Sunshine," which earned Arkin the supporting-actor Academy Award.

The Sundance lineup of about 125 films, which includes 64 dramatic and documentary features announced Wednesday that will compete for prizes, is tough to characterize this time, said festival director John Cooper.

"The diversity of story in this year's festival is very interesting. We've had years where it's one kind of dysfunctional family drama after another, or five different variations of coming-of-age stories," Cooper said. "But these films are very original. They're coming from very imaginative, creative places."

Festival organizers this year added a separate premieres category for documentaries, which will include "The Greatest Movie Ever Sold" from director Morgan Spurlock, who won Sundance's documentary directing prize for 2004's "Supersize Me." Spurlock's new film is billed as a "documentary about branding, advertising and product placement" that was "financed and made possible by branding, advertising and product placement."

Other documentary premieres include: Eugene Jarecki's "Reagan," a portrait of actor-turned-president Ronald Reagan; Liz Garbus' "Bobby Fischer Against the World," tracing the career of the chess-master; Jim Whitaker's "Rebirth," chronicling the past decade in the lives of five people deeply affected by the Sept. 11 attacks; Steve James' "The Interrupters," following the lives of ex-gang members now working to protect their communities from violence; and Fenton Bailey and Randy Barbato's "Becoming Chaz," examining Chastity Bono's sex change.

Also announced Thursday was the festival's midnight slate of horror films and extreme comedies. The films include Madeleine Olnek's sci-fi romp "Codependent Lesbian Space Alien Seeks Same"; Andre Ovredal's action fantasy "Troll Hunter'; Alex Stapleton's documentary "Corman's World: Exploits of a Hollywood Rebel," about indie filmmaker Roger Corman, who helped launch the career of Jack Nicholson, James Cameron, Francis Ford Coppola and many others; and Jason Eisener's vigilante tale "Hobo with a Shotgun," starring Rutger Hauer.


 
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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Video: Olivia Williams, The Ghost Writer

Editor's Note: Wait for it....
 
Video: Olivia Williams, The Ghost Writer.
"There's a nuance here that escapes me."
--Remington Steele (Pierce Brosnan) to Anthony Roselli (Jack Scalia)
Remington Steele, "Steeled with a Kiss" (final episode)


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